to which that great poet replied, 'That he thought him such another poet
as Otway.' When this reply was communicated to Mr. Southern, he
considered it as a very great compliment, having no ambition to be
thought a more considerable poet than Otway was.

Of our author's Comedies, none are in possession of the stage, nor
perhaps deserve to be so; for in that province he is less excellent than
in Tragedy. The present Laureat, who is perhaps one of the best judges
of Comedy now living, being asked his opinion by a gentleman, of
Southern's comic dialogue, answered, That it might be denominated
Whip-Syllabub, that is, flashy and light, but indurable; and as it is
without the Sal Atticum of wit, can never much delight the intelligent
part of the audience.

The most finished, and the most pathetic of Mr. Southern's plays, in the
opinion of the critics, is his Oroonoko, or the Royal Slave. This drama
is built upon a true story, related by Mrs. Behn, in a Novel; and has so
much the greater influence on the audience, as they are sensible that
the representation is no fiction. In this piece, Mr. Southern has
touched the tender passions with so much skill, that it will perhaps be
injurious to his memory to say of him, that he is second to Otway.
Besides the tender and delicate strokes of passion, there are many
shining and manly sentiments in Oroonoko; and one of the greatest
genius's of the present age, has often observed, that in the most
celebrated play of Shakespear, so many striking thoughts, and such a
glow of animated poetry cannot be furnished. This play is so often
acted, and admired, that any illustration of its beauties here, would be
entirely superfluous. His play of The Fatal Marriage, or The Innocent
Adultery, met with deserved success; the affecting incidents, and
interesting tale in the tragic part, sufficiently compensate for the