Mr. Ginsberg, not unlike his colleague in rotundities, held out a short,
a dimpled hand.

"It's a proud day," he said, "for me to shake the hands from mine old
friend's son and the finest violinist living to-day. My little
daughter--"

"Yes, yes, Gina. Here shake hands with him. Leon, they say a voice like
a fountain. Gina Berg--eh, Ginsberg--is how you stage-named her? You
hear, mamma, how fancy--Gina Berg? We go hear her, eh?"

There was about Miss Gina Berg, whose voice could soar to the
tirra-lirra of a lark and then deepen to mezzo, something of the actual
slimness of the poor, maligned Elsa so long buried beneath the buxomness
of divas. She was like a little flower that in its crannied nook keeps
dewy longest.

"How do you do, Leon Kantor?"

There was a whir through her English of three acquired languages.

"How do _you_ do?"

"We--father and I--travelled once all the way from Brussels to Dresden
to hear you play. It was worth it. I shall never forget how you played
the 'Humoresque.' It made me laugh and cry."

"You like Brussels?"

She laid her little hand to her heart, half closing her eyes.