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The Atlantic Monthly, Volume 09, No. 54, April, 1862 by Various
page 71 of 298 (23%)
substitutes the flower-goddess Poetry herself; he sets to his lips the
Swiss Alp-horn of youthful longing and joy, while pointing with the
other hand to the sunset-gleam of the lofty glaciers, and dissolved
in prayer, as the sound of the chapel-bells is flung down from the
mountains."

Contrast this somewhat confused rhapsody with the clear, precise, yet
genial words wherewith Goethe welcomed the new poet. He instantly
seized, weighed in the fine balance of his ordered mind, and valued with
nice discrimination, those qualities of Hebel's genius which had but
stirred the splendid chaos of Richter with an emotion of vague delight.
"The author of these poems," says he, in the Jena "Literaturzeitung,"
(1804,) "is about to achieve a place of his own on the German Parnassus.
His talent manifests itself in two opposite directions. On the one hand,
he observes with a fresh, cheerful glance those objects of Nature which
express their life in positive existence, in growth and in motion,
(objects which we are accustomed to call _lifeless_,) and thereby
approaches the field of descriptive poetry; yet he succeeds, by his
happy personifications, in lifting his pictures to a loftier plane of
Art. On the other hand, he inclines to the didactic and the allegorical;
but here, also, the same power of personification comes to his aid, and
as, in the one case, he finds a soul for his bodies, so, in the other,
he finds a body for his souls. As the ancient poets, and others who have
been developed through a plastic sentiment for Art, introduce
loftier spirits, related to the gods,--such as nymphs, dryads, and
hamadryads,--in the place of rocks, fountains, and trees: so the author
transforms these objects into peasants, and countrifies [_verbauert_]
the universe in the most _naïve_, quaint, and genial manner, until the
landscape, in which we nevertheless always recognize the human figure,
seems to become one with man in the cheerful enchantment exercised upon
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