Far from losing the esteem of his admiring bottle-merchant, Monsieur
de Fougeres (for so the family persisted in calling Pierre Grassou)
advanced so much that when the portraits were finished he presented
them gratuitously to his father-in-law, his mother-in-law and his
wife.

At the present day, Pierre Grassou, who never misses exhibiting at the
Salon, passes in bourgeois regions for a fine portrait-painter. He
earns some twenty thousand francs a year and spoils a thousand francs'
worth of canvas. His wife has six thousand francs a year in dowry, and
he lives with his father-in-law. The Vervelles and the Grassous, who
agree delightfully, keep a carriage, and are the happiest people on
earth. Pierre Grassou never emerges from the bourgeois circle, in
which he is considered one of the greatest artists of the period. Not
a family portrait is painted between the barrier du Trone and the rue
du Temple that is not done by this great painter; none of them costs
less than five hundred francs. The great reason which the bourgeois
families have for employing him is this:--

"Say what you will of him, he lays by twenty thousand francs a year
with his notary."

As Grassou took a creditable part on the occasion of the riots of May
12th he was appointed an officer of the Legion of honor. He is a major
in the National Guard. The Museum of Versailles felt it incumbent to
order a battle-piece of so excellent a citizen, who thereupon walked
about Paris to meet his old comrades and have the happiness of saying
to them:--