Rome. Her wilderness is a green-wood,--her wild man a Robin Hood. There
is plenty of genial love of Nature, but not so much of Nature herself.
Her chronicles inform us when her wild animals, but not when the wild
man in her, became extinct.

The science of Humboldt is one thing, poetry is another thing. The
poet to-day, notwithstanding all the discoveries of science, and the
accumulated learning of mankind, enjoys no advantage over Homer.

Where is the literature which gives expression to Nature? He would be a
poet who could impress the winds and streams into his service, to speak
for him; who nailed words to their primitive senses, as farmers drive
down stakes in the spring, which the frost has heaved; who derived his
words as often as he used them,--transplanted them to his page with
earth adhering to their roots; whose words were so true and fresh and
natural that they would appear to expand like the buds at the approach
of spring, though they lay half-smothered between two musty leaves in a
library,--ay, to bloom and bear fruit there, after their kind, annually,
for the faithful reader, in sympathy with surrounding Nature.

I do not know of any poetry to quote which adequately expresses this
yearning for the Wild. Approached from this side, the best poetry is
tame. I do not know where to find in any literature, ancient or modern,
any account which contents me of that Nature with which even I am
acquainted. You will perceive that I demand something which no Augustan
nor Elizabethan age, which no _culture_, in short, can give. Mythology
comes nearer to it than anything. How much more fertile a Nature, at
least, has Grecian mythology its root in than English literature!
Mythology is the crop which the Old World bore before its soil was
exhausted, before the fancy and imagination were affected with blight;