Heart of Man by George Edward Woodberry
page 122 of 191 (63%)
page 122 of 191 (63%)
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universal truth in concrete forms of common experience so that it comes
home to all men's bosoms? Genius is supreme in proportion as it does that, and becomes the interpreter of every man who is born into the world, makes him know his brotherhood with all, and the incorporation of his fate in the scheme of law, and ideal achievement under it, which is the common ground of humanity. Ideal literature is the treasury of such genius in the past; here, as I said in the beginning, the wisdom of the soul is stored; and art, in all its forms, is immortal only in so far as it has done its share in this same labour of illumination, persuasion, and command, forecasting the spirit to be, companioning the spirit that is, sustaining us all in the effort to make ideal order actual in ourselves. What, then, since I said that it is a question how to live as well as how to express life,--what, then, is the ideal life? It is to make one's life a poem, as Milton dreamed of the true poet; for as art works through matter and takes on concrete and sensible shape with its mortal conditions, so the soul dips in life, is in material action, and, suffering a similar fate, sinks into limitations and externals of this world and this flesh, through which it must live. In such a life, mortal in all ways, to bring down to earth the vision that floats in the soul's eyes, the ideal order as it is revealed to the poet's gaze, incorporating it in deed and being, and to make it prevail, so far as our lives have power, in the world of our life, is the task set for us. To disengage reason from the confusion of things, and behold the eternal forms of the mind; to unveil beauty in the transitory sights of our eyes, and behold the eternal forms of sense; so to act that the will within us shall take on this form of reason and our manifest life wear this form of beauty; and, more closely, to live in the primary affections, the noble passions, the sweet emotions,-- |
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