The Atlantic Monthly, Volume 01, No. 7, May, 1858 by Various
page 57 of 278 (20%)
page 57 of 278 (20%)
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all the capacity there is in them into positive intellectual character;
but let them once divorce love from their occupations in life, and they will find that labor will degenerate into drudgery, and drudgery will weaken the power to labor, and weakness, as a last resort, will intrench itself in pretence and deception. If they are in the learned professions, they will become tricksters in law, quacks in medicine, formalists in divinity, though _regular_ practitioners in all; and clients will be cheated, and patients will be poisoned, and parishioners will be--we dare not say what!--though all the colleges in the universe had showered on them their diplomas. "To be weak is miserable": Milton wrested that secret from the Devil himself!--but what shall we say of those whose weakness has subsided from misery into complacency, and who feel all the moral might of their being hourly rust and decay, with the most amiable indifference and lazy content with dissolution? Now this weakness is a mental and moral sickness, pointing the way to mental and moral death. It has its source in a violation of that law which makes the health of the mind depend on its activity being directed to an object. When directed on itself, it becomes fitful and moody; and moodiness generates morbidness, and morbidness misanthropy, and misanthropy self-contempt, and self-contempt begins the work of self-dissolution. Why, every sensible man will despise himself, if he concentrates his attention on that important personage! The joy and confidence of activity come from its being fixed and fastened on things external to itself. "The human heart," says Luther,--and we can apply the remark as well, to the human mind,--"is like a millstone in a mill; when you put wheat under it, it turns, and grinds, and bruises the wheat into flour; if you put no wheat in, it still grinds on, but then it is itself it grinds, and slowly wears away." Now activity for an object, which is an activity that constantly increases the power of acting, |
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