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The Atlantic Monthly, Volume 01, No. 7, May, 1858 by Various
page 99 of 278 (35%)
uncared-for and unfrequented, and, stripped of its movable ornaments,
it is now in a half-ruinous condition. But its decay is more impressive
than the gaudy brightness of more admired and renovated buildings.
The weeds that grow in the crevices of its pavement and hang over the
capitals of its ancient pillars, the green mould on its walls, the
cracks in its mosaics, are better and fuller of suggestion to the
imagination than the shiny surface and the elaborate finish of modern
restorations. Restoration in these days always implies irreverence and
bad taste. But the architecture of this old building and the purpose
for which it was originally designed present a marked example of the
rapidity of the change in the character of the Christians with the
change of their condition at Rome, during the reign of Constantine. The
worldliness that follows close on prosperity undermined the spirit of
faith; the pomp and luxury of the court and the palace were carried into
the forms of worship, into the construction of churches, into the manner
of burial. Social distinctions overcame the brotherhood in Christ.
Riches paved an easy way into the next world, and power set up guards
around it. Imperial remains were not to mingle with common dust, and the
mausoleum of the princess rose above the rock-hewn and narrow grave of
the martyr and saint.

The present descent into the catacombs that lie near the churches of St.
Agnes and St. Constantia is by an entrance in a neighboring field, made,
after the time of persecution, to accommodate those who might desire
to visit the underground chapels and holy graves. A vast labyrinth of
streets spreads in every direction from it. Many chambers have been cut
in the rock at the side of the passages,--some for family burial-places,
some for chapels, some for places of instruction for those not yet fully
entered into the knowledge of the faith. It is one of the most populous
of the subterranean cemeteries, and one of the most interesting,
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