Kepler by Walter W. Bryant
page 29 of 58 (50%)
page 29 of 58 (50%)
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normal. Experiment proved that this gave too high values for refraction
near the vertical compared with those near the horizon, so Kepler "went off at a tangent" and tried a totally new set of ideas, which all reduced to the absurdity of a refraction which vanished at the horizon. These were followed by another set, involving either a constant amount of refraction or one becoming infinite. He then came to the conclusion that these geometrical methods must fail because the refracted image is not real, and determined to try by analogy only, comparing the equally unreal image formed by a mirror with that formed by refraction in water. He noticed how the bottom of a vessel containing water appears to rise more and more away from the vertical, and at once jumped to the analogy of a concave mirror, which magnifies the image, while a convex mirror was likened to a rarer medium. This line of attack also failed him, as did various attempts to find relations between his measurements of refraction and conic sections, and he broke off suddenly with a diatribe against Tycho's critics, whom he likened to blind men disputing about colours. Not many years later Snell discovered the true law of refraction, but Kepler's contribution to the subject, though he failed to discover the actual law, includes several of the adopted "by-laws". He noted that atmospheric refraction would alter with the height of the atmosphere and with temperature, and also recognised the fact that rainbow colours depend on the angle of refraction, whether seen in the rainbow itself, or in dew, glass, water, or any similar medium. He thus came near to anticipating Newton. Before leaving the subject of Kepler's optics it will be well to recall that a few years later after hearing of Galileo's telescope, Kepler suggested that for astronomical purposes two convex lenses should be used, so that there should be a real image where measuring wires could be placed for reference. He did not carry out the idea himself, and it was left to the Englishman Gascoigne to produce the first instrument on this "Keplerian" principle, universally known as the |
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