actively enlisted in the cause, and for about fifteen years continued,
as a journalist, the kind of expository and polemic writing that he
had developed in the later volumes of the _Pictures of Travel_.
Regarding himself, like many an expatriate, as a mediator between the
country of his birth and the country of his adoption, he wrote for
German papers accounts of events in the political and artistic world
of France, and for French periodicals more ambitious essays on the
history of religion, philosophy, and recent literature in Germany.
Most of the works of this time were published in both French and
German, and Heine arranged also for the appearance of the _Pictures of
Travel_ and the _Book of Songs_ in French translations. To all intents
and purposes he became a Frenchman; from 1836 or 1837 until 1848 he
was the recipient of an annual pension of 4,800 francs from the French
government; he has even been suspected of having become a French
citizen. But he in no sense curbed his tongue when speaking of French
affairs, nor was he free from longing to be once more in his native
land.

In Germany, however, he was commonly regarded as a traitor; and at the
same time the Young Germans, with the more influential of whom he soon
quarreled, looked upon him as a renegade; so that there was a peculiar
inappropriateness in the notorious decree of the Bundesrat at
Frankfurt, voted December 10, 1835, and impotently forbidding the
circulation in Germany of the writings of the Young Germans: Heine,
Gutzkow, Laube, Wienbarg, and Mundt--in that order. But the occupants
of insecure thrones have a fine scent for the odor of sedition, and
Heine was an untiring sapper and miner in the modern army moving
against the strongholds of aristocrats and priests. A keen observer in
Hamburg who was resolved, though not in the manner of the Young
Germans, to do his part in furthering social reform, Friedrich Hebbel,