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The Mirror of Literature, Amusement, and Instruction - Volume 13, No. 356, February 14, 1829 by Various
page 31 of 57 (54%)
together. Some idea may be formed of it, by striking the high keys of a
piano-forte singly and quickly, making as many contrasts as possible, of
high and low notes. Many of the tones are delightful, but the ear can
with difficulty separate them. The general effect of the whole is good;
and when ten or twelve are singing on the same tree, the concert is
singularly pleasing.

The _Red-eyed Flycatcher_ has a loud, lively, and energetic song,
which is continued sometimes for an hour without intermission. The
notes are, in short emphatic bars of two, three, or four syllables.
On listening to this bird, in his full ardour of song, it requires but
little imagination to fancy you hear the words "Tom Kelly! whip! Tom
Kelly!'" very distinctly; and hence Tom Kelly is the name given to the
bird in the West Indies.

The _Crested Titmouse_ possesses a remarkable variety in the tones
of its voice, at one time not louder than the squeaking of a mouse, and
in a moment after whistling aloud and clearly, as if calling a dog, and
continuing this dog-call through the woods for half an hour at a time.

The _Red-breasted Blue Bird_ has a soft, agreeable, and often
repeated warble, uttered with opening and quivering wings. In his
courtship he uses the tenderest expressions, and caresses his mate by
sitting close by her, and singing his most endearing warblings. If a
rival appears, he attacks him with fury, and having driven him away,
returns to pour out a song of triumph. In autumn his song changes to a
simple plaintive note, which is heard in open weather all winter, though
in severe weather the bird is never to be seen.--_Mag. Nat. Hist._

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