11. last figure.]

[Footnote 6: My readers will join with me, I trust, in thanks to M.
Langlois, for his drawings; and will not be sorry to see, accompanying
his sketch of the bas-relief, a spirited one of himself. Normandy does
not contain a more ardent admirer of her antiquities, or one to whom she
is more indebted for investigating, drawing, and publishing them. But,
to the disgrace of Rouen, his labors are not rewarded. All the
obstacles, however opposed by the "durum, pauperies, opprobium," have
not been able to check his independent mind: he holds on his course in
the illustration of the true Norman remains; and to any antiquary who
visits this country, I can promise a great pleasure in the examination
of his port-folio.]

[Footnote 7: Its size at top is fourteen inches and a half, by six
inches and two-thirds.]

[Footnote 8: This difficulty, in the present instance, has yielded to
the extensive researches of Mr. Douce, who has afforded assistance to
me, which, perhaps, no other antiquary could have bestowed. He has
unravelled all the mysteries of minstrelsy with his usual ability; and I
give the information in his own words, only observing that the numbers
begin from the left.--"No. 1 was called the _violl_, corresponding with
our _Viol de Gamba_. As this was a larger violin, though the sculptor
has not duly expressed its comparative bulk, I conceive it was either
used as a tenor or base, being perfectly satisfied, in spite of certain
doubts on the subject, that counterpoint was known in the middle
ages.--No. 2 is the largest instrument of the kind that I have ever
seen, and it seems correctly given, from one part of it resting on the
figure, No. 3, to support it. Twiss mentions one that he saw sculptured