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The Renaissance of the Vocal Art by Edmund Myer
page 14 of 86 (16%)

Abuse brings reform in art as well as in all other things. So the abuse of
Nature's laws and the lack of common sense in the training of the singing
voice has led, through a gradual evolution, to "The New Movement." This
movement is the outgrowth of the best or advanced thought of the profession
rebelling against unnatural methods.

In the fundamental principles of "The New Movement," there is nothing new
claimed by its advocates. All is founded upon the science of voice, as are
all true systems of teaching. The claims are made with regard to the
devices used to study natural laws, to develop the God-given powers of the
singer. Remember that Nature incarnates or reflects God's thoughts and
desires and not man's ideas or inventions. Someone has said that there was
nothing new, nor could there be anything new, in the art of singing. There
are many, alas! who talk and write as did this man. Is not this simply
proof of the fact that ignorance cheapens and belittles that which wisdom
views with awe and admiration? And this is true of nothing so much as it is
of the arts and sciences.

Is, then, ours in all the world, the only profession based upon science and
art that must stand still, that must accept blindly the traditions handed
down to us, without investigation? Are we to feel and believe that with us
progress is impossible, that we may not and cannot keep up with the spirit
of the age? God forbid. Is it not true that "each age refutes much which a
previous age believed, and all things human wax old and vanish away to make
room for new developments, new ideals, new possibilities"? Is it possible
this is true of all professions but ours? The signs of the times indicate
differently. Hence we may confidently expect the Renaissance of the Vocal
Art in this, the first half of the new century.

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