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The Renaissance of the Vocal Art by Edmund Myer
page 29 of 86 (33%)
arranged for the singer; but any good system of physical development, any
system that gives the student health and strength, is good for the singing
voice. "Activity is the source of growth, both physical and mental."
"Strength to be developed, must be used. Strength to be retained, must be
used."



RAISON D'ÊTRE.


Since writing my last book, "Position and Action in Singing," and after
four or five years more of experience, I have been doubly impressed and
more than convinced of the power and influence of certain things necessary
to a right training and use of the voice. Herbert Spencer says, "Experience
is the sole origin of knowledge;" and my experience has convinced me, not
only that certain things are necessary in the training of the voice, but
that certain of the most important principles or conditions demanded by
Nature, are entirely wanting in most systems of singing.

Singers, as a rule, are artificial and unnatural. They do not use all the
powers with which Nature has endowed them. This has been most forcibly
impressed upon my mind by the general lack of vitality, or vital energy,
among singers; by a general lack of physical vitality, and, I venture to
say, largely of mental vitality, and undoubtedly of emotional vitality,
often, but mistakenly, called temperament. These things have been forced
upon me by the general condition of depression which prevails. Vitality,
however, or vitalized energy, is in fact the true means or device whereby
the singer is enabled to arouse his temperament, be it great or otherwise;
to arouse it, to use it, and to make it felt easily and naturally.
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