well into the night. A doctor's natural tendency is to see in each man
that he ministers to merely "a case," a manifestation of some disease to
be watched and tabulated and ticked off into percentages. But in the
Stewart-Carlton-Grey combination, Fate had thrown together three young
men in whom the human part, the man element, loomed large.

The doctor guessed that under that brave front the heart of the trapper
was eating itself out for the cry of the moose, the smell of wood-smoke
by twilight. We are happiest when we create. So he said to Carlton, "Did
you ever write a story?" The head shook answer. "Well, why don't you
try? You must know a lot, old chap, about out-door things, that nobody
else knows. Think some of it out, and then dictate it to Grey here."

The outcome was disappointing. The uncouth sounds, translated by Grey,
were bald, bare, and stiff. Soon the stiffness worked off. With
half-shut eyes Carlton lived again in the woods. He lifted the dewy
branch of a tree and surprised the mother deer making the toilet of her
fawn, saw the beaver busied with his home of mud and wattles, heard the
coyote scream across the prairie edge. Easily the thought flowed, and
the stuff that Grey handed in was a live story that breathed. In that
brave heart the joy of the creator stirred, and with it that feeling
which makes all endeavour worth while--the thought that somebody cares.
A close observer at this stage of the game may read, too, on the face of
Grey the kindly look that comes when we forget ourselves long enough to
take the trouble to reach out for another man's viewpoint.

Carlton's short stories, submitted to a publisher, were pronounced
good, were accepted, and brought a cash return. They struck a new note
among the squabblings of the nature-fakers. Favourable comment came from
those who read them, who, reading, knew naught of their three authors.