men's names" on the "sands and shores" of the remote margins of our
consciousness. How delicious a pleasure there is in carrying about
with us wherever we go a new book or a new translation from the pen of
our especial master! We need not open it; we need not read it for
days; but it is there--there to be caressed and to caress--when
everything is propitious, and the profane voices are hushed.

I suppose, to take an instance that has for myself a peculiar appeal,
the present edition--"brought out" by the excellent house of
Macmillan--of the great Dostoievsky, is producing even now in the
sensibility of all sorts and conditions of queer readers, a thrilling
series of recurrent pleasures, like the intermittent visits of one's
well-beloved.

Would to God the mortal days of geniuses like Dostoievsky could be so
extended that for all the years of one's life, one would have such
works, still not quite finished, in one's lucky hands!

I sometimes doubt whether these sticklers for "the art of
condensation" are really lovers of books at all. For myself, I would
class their cursed short stories with their teasing "economy of
material," as they call it, with those "books that are no books,"
those checker boards and moral treatises which used to annoy Elia so.

Yes, I have a sneaking feeling that all this modern fuss about "art"
and the "creative vision" and "the projection of visualized images,"
is the itching vice of quite a different class of people, from those
who, in the old, sweet, epicurean way, loved to loiter through huge
digressive books, with the ample unpremeditated enjoyment of leisurely
travelers wayfaring along a wonderful road. How many luckless