eloquence as we understand it. The names of those who in debate or to a
jury have been in every-day practice strong and effective speakers, and
also have thrilled and shaken large masses of men, readily occur to us. To
this class belong Chatham and Burke, Fox, Sheridan and Erskine, Mirabeau
and Vergniaud, Patrick Henry and Daniel Webster.

Mr. Webster was of course essentially modern in his oratory. He relied
chiefly on the sustained appeal to the understanding, and he was a
conspicuous example of the prophetic character which Christianity, and
Protestantism especially, has given to modern eloquence. At the same time
Mr. Webster was in some respects more classical, and resembled more closely
the models of antiquity, than any of those who have been mentioned as
belonging to the same high class. He was wont to pour forth the copious
stream of plain, intelligible observations, and indulge in the varied
appeals to feeling, memory, and interest, which Lord Brougham sets down as
characteristic of ancient oratory. It has been said that while Demosthenes
was a sculptor, Burke was a painter. Mr. Webster was distinctly more of the
former than the latter. He rarely amplified or developed an image or a
description, and in this he followed the Greek rather than the Englishman.
Dr. Francis Lieber wrote: "To test Webster's oratory, which has ever been
very attractive to me, I read a portion of my favorite speeches of
Demosthenes, and then read, always aloud, parts of Webster; then returned
to the Athenian; and Webster stood the test." Apart from the great
compliment which this conveys, such a comparison is very interesting as
showing the similarity between Mr. Webster and the Greek orator. Not only
does the test indicate the merit of Mr. Webster's speeches, but it also
proves that he resembled the Athenian, and that the likeness was more
striking than the inevitable difference born of race and time. Yet there
is no indication that Webster ever made a study of the ancient models or
tried to form himself upon them.