to come at five o'clock this evening; if not then, at five or six o'clock
to-morrow morning; but he must not waken me if I chance to be still asleep.
_Adieu, mon ami à bon marché._ Perhaps we may meet at the "Swan"?

[Footnote 1: As it appears from the following letters that Amenda was again
at home in 1800, the date of this note is thus ascertained. It is
undoubtedly addressed to Baron Zmeskall von Domanowecz, Royal Court
Secretary, a good violoncello-player, and one of Beethoven's earliest
friends in Vienna. The "guitarist" was probably the celebrated Giuliani,
who lived in Vienna.]


11.

The musical Count is from this day forth _cashiered_ with infamy. The first
violin [Schuppanzigh] ruthlessly transported to _Siberia_. The Baron [see
No. 10] for a whole month _strictly interdicted from asking questions_; no
longer to be so hasty, and to devote himself exclusively to his _ipse
miserum_.[1]

B.

[Footnote 1: Written in gigantic characters in pencil on a large sheet of
paper. The "musical Count" is probably Count Moritz Lichnowsky, brother of
Prince Carl Lichnowsky, in whose house were held those musical performances
in which Beethoven's works were first produced. Even at that time he
behaved in a very dictatorial manner to those gentlemen when his
compositions were badly executed. Thence the name given him by Haydn of
"The Great Mogul."]