disturbance: and no figure has in relation to the Church history of
the half-century the same portentous importance as that of John Henry
Newman, whose powerful magnetism, as it attracted or repelled, drew
men towards Romanism or drove them towards Rationalism, his logical
art, made more impressive by the noble eloquence with which he
sometimes adorned it, seeming to leave those who came under his spell
no choice between the two extremes. When he finally decided on
withdrawing himself from the Anglican and giving in his adhesion to
the Roman communion, he set an example that has not yet ceased to be
imitated, to the incalculable damage of the English Establishment.
Happily the massive Nonconformity of the country was hardly touched
either by his influence or his example.

It is pleasant to turn from scenes of doubt and discord, of strife
and sorrow, to that bright domestic life which was now vouchsafed to
the Sovereign, as if in direct compensation for the storms that raved
and beat outside her home--a home now brightened by the presence of
five joyous, healthy children. It is a charming picture of the royal
pair and of the manner of life in the palace--styled by one foreigner
"the one really pleasant, comfortable English house, in which one
feels at one's ease "--that is given us by the finely discerning
Mendelssohn, invited by the Prince to "come and try his organ" before
leaving England in 1842, on which occasion the Queen joined her
husband and his guest at the instrument, enjoying and aiding in their
musical performance, and singing, "quite faultlessly and with
charming feeling and expression," a song written by the great master
who was now paying a farewell visit, with nothing of ceremony in it,
to English royalty. With a few touches Mendelssohn makes us see the
delightful ease and comfort of this royal interior, the Queen
gathering up the sheets of music strewn by the wind over the