CHAPTER IV.

THE CRIMEAN WAR.

[Illustration: The Crystal Palace, 1851.]

The "Exhibition year," 1851, appears to our backward gaze almost like
a short day of splendid summer interposed between two stormy seasons;
but at the time men were more inclined to regard it as the first of a
long series of halcyon days. Indeed, the unexampled number and
success of the various efforts to redress injury and reform abuses,
which had signalised the new reign, might almost justify those
sanguine spirits, who now wrote and spoke as though wars and
oppression were well on their way to the limbo of ancient barbarisms,
and who looked to unfettered commerce as the peace-making civiliser,
under whose influence the golden age--in more senses than one might
revisit the earth.

[Illustration: Lord Ashley.]

We have already referred to certain of the new transforming forces
whose action tended to heighten such hopes; there are two reforms as
yet unnamed by us, distinguishing these early years, which are
particularly significant; though one at least was stoutly opposed by
a special class of reformers. We refer to the legislation dealing
with mines and factories and those employed therein, with which is
inseparably connected the venerable name of the late Lord
Shaftesbury; and to the abolition of duelling in the army, secured by