Ordinarily that would have been the end of the case, but Allen had his
own private views as to the guilt of the dealer and on August 28th the
Grand Jury filed an indictment against Flechter accusing him of
feloniously receiving stolen property--the violin--knowing it to have
been stolen. Great was Flechter's anger and chagrin, but he promptly
gave bail and employed the ablest counsel he could afford.

Now began the second act of this tragedy of errors. The case was called
for trial with the People's interests in the hands of James W. Osborne,
just advancing into the limelight as a resourceful and relentless
prosecutor. I say the _People's_ case but perhaps _Allen's_ case would
be a more fitting title. For the defense Arthur W. Palmer held the fort,
directing his fire upon Osborne and losing no advantage inadvertently
given him. The noise of the conflict filled the court house and drowned
the uproar on Broadway. Nightly and each morning the daily press gave
columns to the proceedings. Every time the judge coughed the important
fact was given due prominence. And every gibe of counsel carried behind
it its insignia of recognition--"[_Laughter_]" It was one of those first
great battles in which the professional value of compressed air as an
explosive force and small pica type as projectiles was demonstrated. It
was a combat of wind and lead--an endurance contest during which the
jury slept fitfully for three long weeks.

Two things, the prosecution claimed, proved Flechter's guilt: first, the
fact that the violin found in his possession was "The Duke of
Cambridge"; second, that the "Cave-Dweller" letter was in the same
handwriting as Flechter's notice of reward.

Of course the latter proposition carried with it the necessity of
proving in the first place that the notice itself was in Flechter's