leading to the teaching by parables, and the final withdrawal from Galilee
to the north. This ministry resulted in the chilling of popular enthusiasm
which had been strong at the beginning, but in the winning of a few hearts
to Jesus' own ideals of the kingdom of God (iv. 18 to xvi. 20). From this
point the evangelist leads us to Jerusalem, where rejection culminates,
the sterner teachings of Jesus are massed, and his victory in seeming
defeat is exhibited (xvi. 21 to xxviii. 20). (2) The evangelist's interest
is not satisfied by this clear, strong, picture; he wishes to convince men
that Jesus is Israel's Messiah, hence, throughout, he indicates the
fulfilment of prophecy. The things in which he sees the fulfilment are
striking, for, with but one or two exceptions, they are features of the
life of Jesus objectionable to Jewish feeling. This fact, taken in
connection with the emphasis which the gospel gives to the death of Jesus
at the hands of the Jews, and to the resurrection as God's seal of
approval of him whom his people rejected, forms a forcible argument to
prove the Messiahship of Jesus, not simply in spite of his rejection by
the Jews, but by appeal to that rejection as leading to God's signal
vindication of the crucified one. (3) This evangelist, while proving that
Jesus is the Messiah promised to Israel, recognizes clearly the freedom of
the new faith from the exclusiveness of Jewish feeling. The choice of
Galilee for the Messianic ministry (iv. 12-17), the comment of Jesus on
the faith of the centurion (viii. 10-12), the rebuke of Israel in the
parable of the Wicked Husbandmen (xxi. 33-46), and especially the last
commission of the risen Lord (xxviii. 18-20), show that this gospel sought
to convince men of Jewish feeling not only that Jesus is Messiah, but also
that as Messiah he came to bring salvation to all the world.

24. The second gospel is much simpler in construction than the first,
while presenting essentially the same picture of the ministry as is found
in Matthew. To its simplicity it adds a vividness of narration which