Blackwood's Edinburgh Magazine — Volume 55, No. 342, April, 1844 by Various
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page 11 of 315 (03%)
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shrieks and yells, exceeded any thing that could be imagined. The
partizans had got completely mixed together; and, instead of the struggle being confined to the foremost ranks of the contending parties, the whole bridge was now one coil of raging combatants. Men fell into the canal by scores, but no one thought of rendering them any assistance. Their places were immediately filled up, and the fight lost none of its fury from their absence. Evening was now approaching, and the combat was more violent than it had yet been, or than it had for years been known to be, when Antonio saw the cloaked and mysterious individuals who had already attracted his attention, emerge from their lurking-places, and disappear in different directions. Presently he thought he observed some of them on the bridge mingling with the combatants, whose blind rage prevented them from noticing the intrusion. Wherever they passed, there did the fight augment in obstinacy and fury. Suddenly there was a violent rush upon the bridge, a frightful outcry, and a clash of steel. At the same moment the blades of several swords and daggers were seen crossed and glittering upon the bridge, without its being possible for any one to divine whence the weapons came. The spectators, seized with a panic fear, fled in every direction, and sprang in crowds from the quays to seek shelter under the awnings of the gondolas covering the canal. In vain did the gondoliers resist the intrusion of the fugitives: all considerations of rank and property were lost sight of in the terror of the moment, and some of the boats sank under the weight of the multitudes that poured into them. In their haste to get away, the gondolas impeded each other, and became wedged together in the canal; and amidst the screams of the ladies and angry exclamations of the men, the gondoliers laid down their oars and began to dispute the precedence with blows. Meanwhile the people on the roofs of the |
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