Punch, or the London Charivari, Volume 1, July 17, 1841 by Various
page 8 of 68 (11%)
page 8 of 68 (11%)
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a pinch of snuff--lost Rugby and Coventry before I had done sneezing, and
I had scarcely time to say, "God bless us," till I found we had reached Birmingham. Whereupon I began to calculate the trifling progress my reading companion could have made in his book during our rapid journey, and to devise plans for the gratification of persons similarly situated as my fellow-traveller. "Why," thought I, "should literature alone lag in the age of steam? Is there no way by which a man could be made to swallow Scott or bolt Bulwer, in as short a time as it now takes him to read an auction bill?" Suddenly a happy thought struck me: it was to write a novel, in which only the actual spirit of the narration should be retained, rejecting all expletives, flourishes, and ornamental figures of speech; to be terse and abrupt in style--use monosyllables always in preference to polysyllables--and to eschew all heroes and heroines whose names contain more than four letters. Full of this idea, on my returning home in the evening, I sat to my desk, and before I retired to rest, had written a novel of three neat, portable volumes; which, I assert, any lady or gentlemen, who has had the advantage of a liberal education, may get through with tolerable ease, in the time occupied by the railroad train running from London to Birmingham. I will not dilate on the many advantages which this description of writing possesses over all others. Lamplighters, commercial bagmen, omnibus-cads, tavern-waiters, and general postmen, may "read as they run." Fiddlers at the theatres, during the rests in a piece of music, may also benefit by my invention; for which, if the following specimen meet your approbation, I shall instantly apply for a patent. SPECIMEN. |
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