The Philippine Islands, 1493-1898 — Volume 07 of 55 - 1588-1591 by Unknown
page 12 of 283 (04%)
page 12 of 283 (04%)
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social organization, which was originally patriarchal; and rights of
property, which are partly individual and partly communistic. There are three classes among the people--nobles, commoners and slaves. The status and rights of each are carefully defined, and the causes and kinds of slavery. A somewhat elaborate system of regulations concerning inheritances is described, also the status of children by adoption, which usage is widely prevalent among the Tagalogs. Marriage, dowries, and divorce are fully treated. In the second of these relations Plasencia describes their modes of burial and worship, and the religious beliefs and superstitions current among that people. They have no buildings set aside as temples, although they sometimes celebrate, in a temporary edifice, a sort of worship. Their chief idol is Badhala, but they also worship the sun and the moon, and various minor divinities. They believe in omens, and practice divination. A detailed account is given of the various classes of priests, sorcerers, witches, etc., in which the natives believed; also of the burial rites of both Tagalogs and Negritos. A letter to the king from Portugal (written early in 1590) gives him information which he had requested from Portuguese officials in India, regarding the character and results of the trade between the Spanish colonies and those established by the Portuguese in India and the Eastern archipelago, and China. The continuance of this trade would, they think, ruin the prosperity of the settlements in India, and greatly injure the commerce of Spain, and deplete that country and her colonies of their coin. At Salazar's petition, he receives from the king (April 12, 1590) a grant of money toward the payment of debts incurred by him in procuring the rebuilding of Manila in stone. On June 20 of the same year, the members of the Audiencia, suppressed by order of the king and replaced by Dasmariñas, notify the king that |
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