these would count for nothing, but, situated like islands in the sea of
sombre gray about them, they often present an appearance of extreme
beauty that the wondering observer is somewhat puzzled to account for; it
is the beauty of contrast, the great and striking contrast between
vegetable life and death.

These impressions are nowhere more strongly brought into notice than when
approaching Aradan, a village I reach about five o'clock. Like almost all
Persian towns and villages, Aradan has evidently occupied a much larger
area at one time than it does at present; and the mournful-looking ruins
of mosques, gateways, walls, and houses are scattered here and there over
the plain for a mile before reaching the present limits of habitation.
The brown ruins of a house are seen standing in the middle of a
wheat-field; the wheat is of that intense greenness born of irrigation
and a rich sandy soil, and the mud ruins, dead, desolate, and crumbling
to dust, look even more deserted and mournful from the great contrast in
color, and from the myriad stems of green young life that wave and nod
about them with every passing breeze. The tumble-down windows and
doorways form openings through which the blue sky and the green waving
sea of vegetation beyond are seen as in a picture, and the ruined mud
mosque, its dome gone, its windows and doorways crumbled to shapeless
openings, seems like a weather-beaten skeleton of Persia's past, while
the ever-moving waves of verdant life about it, seem to be beating
against it and persistently assailing it, like waves of the sea beating
against an isolated rock.

While engaged in fording a stream on the stony plain between road. The
shagird-chapar is with them, on a third "bag of bones," worse, if
possible, than the others. Taking the world over, there is perhaps no
class of horses that are, subject to so much cruelty and ill-treatment as