The Development of the Feeling for Nature in the Middle Ages and Modern Times  by Alfred Biese
page 291 of 509 (57%)
page 291 of 509 (57%)
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			William Drummond (1746) avowed a taste which he knew to be very unfashionable: Thrice happy he, who by some shady grove, Far from the clamorous world, doth live his own Though solitary, who is not alone, But doth converse with that eternal love. O how more sweet is birds' harmonious moan Or the soft sobbings of the widow'd dove, Than those smooth whisp'rings near a prince's throne.... O how more sweet is zephyr's wholesome breath And sighs perfum'd, which new-born flowers unfold. Another sonnet, to a nightingale, says: Sweet bird, that sing'st away the early hours Of winters past or coming void of care, Well pleased with delights which present are, Fair seasons, budding sprays, sweet-smelling flowers; To rocks, to springs, to rills, from leafy bowers Thou thy Creator's goodness dost declare, And what dear gifts on thee He did not spare, A stain to human sense in sin that lowers, What soul can be so sick which by thy songs Attir'd in sweetness, sweetly is not driven Quite to forget earth's turmoils, spites, and wrongs? He greets Spring: Sweet Spring, thou turn'st with all thy goodly train |  | 


 
