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The Development of the Feeling for Nature in the Middle Ages and Modern Times by Alfred Biese
page 295 of 509 (57%)

His most artistic poem is Winter:

When from the pallid sky the sun descends
With many a spot, that o'er his glaring orb
Uncertain wanders, stained; red fiery streaks
Begin to flush around. The reeling clouds
Stagger with dizzy poise, as doubting yet
Which master to obey; while rising slow,
Blank in the leaden-coloured east, the moon
Wears a wan circle round her blunted horns.
Seen through the turbid fluctuating air,
The stars obtuse emit a shivering ray;
Or frequent seem to shoot, athwart the gloom,
And long behind them trail the whitening blaze.
Snatched in short eddies plays the withered leaf,
And on the flood the dancing feather floats.
With broadened nostrils to the sky upturned,
The conscious heifer snuffs the stormy gale....
Retiring from the downs, where all day long
They picked their scanty fare, a blackening train
Of clamorous rooks thick urge their weary flight
And seek the closing shelter of the grove,
Assiduous, in his bower, the wailing owl
Plies his sad song. The cormorant on high
Wheels from the deep, and screams along the land.
Loud shrieks the soaring heron, and with wild wing
The circling sea-fowl cleave the flaky skies.
Ocean, unequal pressed, with broken tide
And blind commotion heaves, while from the shore,
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