The Development of the Feeling for Nature in the Middle Ages and Modern Times by Alfred Biese
page 295 of 509 (57%)
page 295 of 509 (57%)
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His most artistic poem is Winter: When from the pallid sky the sun descends With many a spot, that o'er his glaring orb Uncertain wanders, stained; red fiery streaks Begin to flush around. The reeling clouds Stagger with dizzy poise, as doubting yet Which master to obey; while rising slow, Blank in the leaden-coloured east, the moon Wears a wan circle round her blunted horns. Seen through the turbid fluctuating air, The stars obtuse emit a shivering ray; Or frequent seem to shoot, athwart the gloom, And long behind them trail the whitening blaze. Snatched in short eddies plays the withered leaf, And on the flood the dancing feather floats. With broadened nostrils to the sky upturned, The conscious heifer snuffs the stormy gale.... Retiring from the downs, where all day long They picked their scanty fare, a blackening train Of clamorous rooks thick urge their weary flight And seek the closing shelter of the grove, Assiduous, in his bower, the wailing owl Plies his sad song. The cormorant on high Wheels from the deep, and screams along the land. Loud shrieks the soaring heron, and with wild wing The circling sea-fowl cleave the flaky skies. Ocean, unequal pressed, with broken tide And blind commotion heaves, while from the shore, |
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