The Development of the Feeling for Nature in the Middle Ages and Modern Times by Alfred Biese
page 303 of 509 (59%)
page 303 of 509 (59%)
![]() | ![]() |
|
|
The German _Simplicissimus_ closed with a Robinsonade, in which the
hero, after long wandering, found rest and peace on an island in the ocean of the world, alone with himself and Nature. The readers of _Robinson Crusoe_ were in much the same position. Defoe was not only a true artist, but a man of noble, patient character, and his romance proved a healing medicine to many sick minds, pointing the way back to Nature and a natural fife, and creating a longing for the lost innocence of man. Rousseau, who was also a zealous advocate of the English gardens, and disgusted by the French Pigtail style, was more impressed by _Robinson Crusoe_ than by any other book. It was the first book his Emilia gave him, as a gospel of Nature and unspoilt taste. CHAPTER X THE SENSITIVENESS AND EXAGGERATION OF THE ELEGIAC IDYLLIC FEELING This longing to return to the lost paradise of Nature gradually produced a state of melancholy hyper-sensitiveness, an epidemic of world pain, quite as unnatural as the Rococo. The heart came into its rights again and laid claim to absolute dominion in its kingdom, and regret that it had lain so long deprived of its own, gave rise to a tearful pensiveness, which added zest to |
|


