Rienzi, Last of the Roman Tribunes by Baron Edward Bulwer Lytton Lytton
page 265 of 660 (40%)
page 265 of 660 (40%)
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Short time had Angelo to gaze on his comrades that were to be:--another
minute, and he and his protectress were in the presence of the Tribune's bride. The chamber was not large--but it was large enough to prove that the beautiful daughter of Raselli had realised her visions of vanity and splendour. It was an apartment that mocked description--it seemed a cabinet for the gems of the world. The daylight, shaded by high and deep-set casements of stained glass, streamed in a purple and mellow hue over all that the art of that day boasted most precious, or regal luxury held most dear. The candelabras of the silver workmanship of Florence; the carpets and stuffs of the East; the draperies of Venice and Genoa; paintings like the illuminated missals, wrought in gold, and those lost colours of blue and crimson; antique marbles, which spoke of the bright days of Athens; tables of disinterred mosaics, their freshness preserved as by magic; censers of gold that steamed with the odours of Araby, yet so subdued as not to deaden the healthier scent of flowers, which blushed in every corner from their marble and alabaster vases; a small and spirit-like fountain, which seemed to gush from among wreaths of roses, diffusing in its diamond and fairy spray, a scarce felt coolness to the air;--all these, and such as these, which it were vain work to detail, congregated in the richest luxuriance, harmonised with the most exquisite taste, uniting the ancient arts with the modern, amazed and intoxicated the sense of the beholder. It was not so much the cost, nor the luxury, that made the character of the chamber; it was a certain gorgeous and almost sublime phantasy,--so that it seemed rather the fabled retreat of an enchantress, at whose word genii ransacked the earth, and fairies arranged the produce, than the grosser splendour of an earthly queen. |
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