The Book of the Epic by H. A. (Hélène Adeline) Guerber
page 389 of 639 (60%)
page 389 of 639 (60%)
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with the Lion.
Among the Minnesingers of greatest note are Walther von der Vogelweide, Wolfram von Eschenbach, and later, when their head-quarters were at Nüremberg, Hans Sachs. Their favorite themes were court epics, dealing especially with the legends of Arthur, of the Holy Grail, and of Charles the Great. Many of these epics are embodied in the Heldenbuch, or Book of Heroes, compiled in the fifteenth century by Kaspar von der Rhön, while the Abenteuerbuch contains many of these legends as well as Der Rosengarten and König Laurin. In the second part of the thirteenth century artificiality and vulgarity began to preponderate, provoking as counterweights didactic works such as Der Krieg auf der Wartburg. The fourteenth century saw the rise of the free cities, literary guilds, and five universities. It also marks the cultivation of political satire in such works as Reinecke Fuchs, and of narrative prose chronicles like the Lüneburger, Alsatian, and Thuringian Chronicles, which are sometimes termed prose epics. The Volksbücher also date from this time, and have preserved for us many tales which would otherwise have been lost, such as the legends of the Wandering Jew and Dr. Faustus. The age of Reformation proved too serious for poets to indulge in any epics save new versions of Reinecke Fuchs and Der Froschmeuseler, and after the Thirty Years' War the first poem of this class really worthy of mention is Klopstock's Messias, or epic in twenty books on the life and mission of Christ and the fulfilment of the task for which he was foreordained. |
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