The French Impressionists (1860-1900) by Camille Mauclair
page 82 of 109 (75%)
page 82 of 109 (75%)
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render with unfailing mastery, the grey waters of the Channel, the
stormy skies, the heavy clouds, the effects of sunlight feebly piercing the prevailing grey. His numerous pictures painted at the port of Havre are profoundly expressive. Nobody has excelled him in drawing sailing-boats, in giving the exact feeling of the keels plunged into the water, in grouping the masts, in rendering the activity of a port, in indicating the value of a sail against the sky, the fluidity of calm water, the melancholy of the distance, the shiver of short waves rippled by the breeze. Boudin is a learned colourist of grey tones. His Impressionism consists in the exclusion of useless details, his comprehension of reflections, his feeling for values, the boldness of his composition and his faculty of directly perceiving nature and the transparency of atmosphere: he reminds sometimes of Constable and of Corot. Boudin's production has been enormous, and nothing that he has done is indifferent. He is one of those artists who have not a brilliant career, but who will last, and whose name, faithfully retained by the elect, is sure of immortality. He may be considered an isolated artist, on the border line between Classicism and Impressionism, and this is unquestionably the cause of the comparative obscurity of his fame. The same might be said of the ingenuous and fine landscapist Hervier, who has left such interesting canvases; and of the Lyons water-colour painter Ravier who, almost absolutely unknown, came very close to Monticelli and showed admirable gifts. It must, however, be recognised that Boudin is nearer to Impressionism than to any other grouping of artists, and he must be considered as a small master of pure French lineage. Finally, if a question of nationality prevents me from enlarging upon the subject of the rank of precursor which must be accorded to the great Dutch landscapist Jongkind, I must at least mention his name. His water-colour sketches have been veritable revelations for several Impressionists. Eugène Boudin and Berthe Morisot |
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