Punch, or the London Charivari, Volume 101, December 12, 1891 by Various
page 38 of 44 (86%)
page 38 of 44 (86%)
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pleasant _cafés_ and well-appointed _restaurants_, and came to
the conclusion (for the fiftieth time) that it was far better than anything of the same kind in Paris, or any other of the capitals of Europe. They had all been abroad during their State-assisted vacation, and consequently had the chief towns of the world, so to speak, at their finger-tips. As they sauntered along, they came to a group of half-starved, perambulating performers, who were giving an entertainment to a crowd of bystanders. It was not a good programme. First a young woman in rags, played on an old piano, with decent precision, some extremely difficult variations of CHOPIN's _Funeral March_. She was followed by a man who painted a portrait of a leading statesman indifferently well. Then another man jumped into the river, and made his way in the cold water with the ease of a fifth-rate professional swimmer. Then a second young woman recited something or other in German, with an atrocious English accent. And the whole concluded with a lecture upon chemistry (given by a seedy-looking old man), which was illustrated with some ambitious, but feeble experiments. On the balance the performance was a bore, and the public were rather pleased than otherwise, when a police constable ordered the _troupe_ "to move on." The poor people gathered together their _impedimenta_ and prepared to obey the officer's behest. It was then that the performers came face to face with the artisans. There was a cry of recognition. "Why, would you believe it!" exclaimed one of the workmen, "if it isn't SALLY JONES, and TOMMY BROWN, and NORAH JENKINS, and HARRY SMITH!" |
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