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Edward MacDowell by John F. Porte
page 106 of 159 (66%)
contemplation comes an impressive silence--and then the stern and
solemn chords of the latter part of the introduction to _From an
Indian Lodge_ are heard, first softly and then with virile
orchestral _fortissimo_, and with this the piece closes.



OPUS 52. THREE CHORUSES, FOR MALE VOICES.

_First Published_, 1897 (Arthur P. Schmidt).

1. _Hush, hush!_

2. _A Voice from the Sea._

3. _The Crusaders._

These part-songs are finely written and full of suggestiveness.
_Hush, hush!_ creates the atmosphere suggested by its title. _A
Voice from the Sea_ and _The Crusaders_ are settings of some of
the composer's own verses. The sea song tells of the north wind's
wrath, the roaring sea on the rugged shore and of a woman with a
torch, looking out into the darkness, moaning: "Thy will be
done." The whole song graphically suggests the dangers of the
sea. The third chorus is heroic and strong, not treating of the
forces of nature, as does the preceding number, but with the
bold, adventurous daring, fired with religious zeal, of the old
Crusaders. The music of _The Crusaders_ is worthy of its theme.


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