Edward MacDowell by John F. Porte
page 69 of 159 (43%)
page 69 of 159 (43%)
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1. _Soubrette._ 1. _Prologue._
2. _Lover._ 2. _Soubrette._ 3. _Villain._ 3. _Lover._ 4. _Lady-Love._ 4. _Witch._ 5. _Clown._ 5. _Clown._ 6. _Witch._ 6. _Villain._ 7. _Sweetheart._ 8. _Epilogue._ These little pieces are quite notable and extremely interesting both in their original and revised versions. Although the subjects they portray are the stiff-moving and grotesque figures of Marionettes, their general effect is often intensely human. The set as a whole may be viewed as a half serious, half whimsical study of characters in human life, issued under the disguise of jointed and painted dummies. Beneath the quaint, stiff movement of the music there is just that touch of seriousness, a sort of droll sadness, that makes of it something more than a doll's play. The revised edition of _Marionettes_ is the best and most characteristic, and in the United States is the accepted one. In England, however, the original edition, published at Breslau in 1888 by Julius Hainauer, is still being sold. |
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