Edward MacDowell by John F. Porte
page 98 of 159 (61%)
page 98 of 159 (61%)
![]() | ![]() |
|
|
beginning of MacDowell's more mature period, but nobody seems to
know much about it. It is true that it lacks the definitely indicated poetic basis that is a feature of the composer's finest work, but it is a well written and melodious composition. It is at least more deserving of attention than the popular _Hexentanz, Op. 17_, and the _Etude de Concert in F sharp, Op. 36_, but these two owe their popularity to the virtuoso pianist. Grove's _Dictionary of Music and Musicians_ refers to _Op. 49_ as "some dances published in a Boston collection." OPUS 50. SECOND SONATA, EROICA, IN G MINOR, FOR PIANOFORTE. _First Published_, 1895 (Breitkopf & Härtel). _Dedicated to William Mason._ "_Flos regum Arthurus._" 1. _Slow, with nobility_--_Fast, passionately, etc._ 2. _Elf-like, as light and swift as possible._ 3. _Tenderly, longingly, yet with passion._ 4. _Fiercely, very fast._ The _Sonata Eroica_ is perhaps the most beautiful and noble, although not the grandest or most stirring, of MacDowell's four |
|


