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The Age of Shakespeare by Algernon Charles Swinburne
page 51 of 245 (20%)
perverse. The explanation so happily suggested by a modern critic that
William Rufus is meant for Shakespeare, and that "Lyly is Sir Vaughan ap
Rees," wants only a little further development, on the principle of
analogy, to commend itself to every scholar. It is equally obvious that
the low-bred and foul-mouthed ruffian Captain Tucca must be meant for
Sir Philip Sidney; the vulgar idiot Asinius Bubo for Lord Bacon; the
half-witted underling Peter Flash for Sir Walter Raleigh; and the
immaculate Celestina, who escapes by stratagem and force of virtue from
the villanous designs of Shakespeare, for the lady long since indicated
by the perspicacity of a Chalmers as the object of that lawless and
desperate passion which found utterance in the sonnets of her
unprincipled admirer--Queen Elizabeth. As a previous suggestion of my
own, to the effect that George Peele was probably the real author of
"Romeo and Juliet," has had the singular good-fortune to be not merely
adopted but appropriated--in serious earnest--by a contemporary student,
without--- as far as I am aware--a syllable of acknowledgment, I cannot
but anticipate a similar acceptance in similar quarters for the modest
effort at interpretation now submitted to the judgment of the ingenuous
reader.

Gifford is not too severe on the palpable incongruities of Dekker's
preposterous medley: but his impeachment of Dekker as a more virulent
and intemperate controversialist than Jonson is not less preposterous
than the structure of this play. The nobly gentle and manly verses in
which the less fortunate and distinguished poet disclaims and refutes
the imputation of envy or malevolence excited by the favor enjoyed by
his rival in high quarters should have sufficed, in common justice, to
protect him from such a charge. There is not a word in Jonson's satire
expressive of anything but savage and unqualified scorn for his humbler
antagonist: and the tribute paid by that antagonist to his genius, the
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