The Poetry Of Robert Browning by Stopford A. (Stopford Augustus) Brooke
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page 31 of 436 (07%)
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and character. His sense of an ever-victorious Righteousness at the
centre of the universe, whom one might always trust and be untroubled, was Jewish, but he carried it forward with the New Testament and made the Righteousness identical with absolute Love. Yet, even in this, the Old Testament elements were more plainly seen than is usual among Christians. The appearance of Christ as all-conquering love in _Easter-Day_ and the scenery which surrounds him are such as Ezekiel might have conceived and written. Then his intellectual subtlety, the metaphysical minuteness of his arguments, his fondness for parenthesis, the way in which he pursued the absolute while he loaded it with a host of relatives, and conceived the universal through a multitude of particulars, the love he had for remote and unexpected analogies, the craft with which his intellect persuaded him that he could insert into his poems thoughts, illustrations, legends, and twisted knots of reasoning which a fine artistic sense would have omitted, were all as Jewish as the Talmud. There was also a Jewish quality in his natural description, in the way he invented diverse phrases to express different aspects of the same phenomenon, a thing for which the Jews were famous; and in the way in which he peopled what he described with animal life of all kinds, another remarkable habit of the Jewish poets. Moreover, his pleasure in intense colour, in splashes and blots of scarlet and crimson and deep blue and glowing green; in precious stones for the sake of their colour--sapphire, ruby, emerald, chrysolite, pearl, onyx, chalcedony (he does not care for the diamond); in the flame of gold, in the crimson of blood, is Jewish. So also is his love of music, of music especially as bringing us nearest to what is ineffable in God, of music with human aspiration in its heart and sounding in its phrases. It was this Jewish element in Browning, in all its many forms, which caused him to feel with and to write so much about the Jews in his poetry. The two poems in which he most fully enshrines his view of human life, as it may |
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