Plays by August Strindberg, Second series by August Strindberg
page 315 of 327 (96%)
page 315 of 327 (96%)
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written signature--and you know how sometimes one may absent-
mindedly scribble a sheet of paper full of meaningless words. I had a pen in my hand--[picks up a penholder from the table] like this. And somehow it just began to run--I don't want to claim that there was anything mystical--anything of a spiritualistic nature back of it--for that kind of thing I don't believe in! It was a wholly unreasoned, mechanical process--my copying of that beautiful autograph over and over again. When all the clean space on the letter was used up, I had learned to reproduce the signature automatically--and then--[throwing away the penholder with a violent gesture] then I forgot all about it. That night I slept long and heavily. And when I woke up, I could feel that I had been dreaming, but I couldn't recall the dream itself. At times it was as if a door had been thrown ajar, and then I seemed to see the writing-table with the note on it as in a distant memory--and when I got out of bed, I was forced up to the table, just as if, after careful deliberation, I had formed an irrevocable decision to sign the name to that fateful paper. All thought of the consequences, of the risk involved, had disappeared— no hesitation remained--it was almost as if I was fulfilling some sacred duty--and so I wrote! [Leaps to his feet] What could it be? Was it some kind of outside influence, a case of mental suggestion, as they call it? But from whom could it come? I was sleeping alone in that room. Could it possibly be my primitive self--the savage to whom the keeping of faith is an unknown thing-- which pushed to the front while my consciousness was asleep-- together with the criminal will of that self, and its inability to calculate the results of an action? Tell me, what do you think of it? |
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