Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt by Gaston Camille Charles Maspero
page 73 of 325 (22%)
page 73 of 325 (22%)
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middle (A) is a great hall in shape of the letter T, adorned with sixteen
square pillars 16 feet in height; at the north-west corner of this hall is a narrow passage on an inclined plane (B), by which the building is now entered;[16] at the south-west corner is a recess (C) which contains six niches, in pairs one over the other. A long gallery opening at each end into a square chamber, now filled with rubbish (E), completes the plan. Without any main door, without windows, and entered through a passage too long to admit the light of day, the building can only have received light and air through slanting air-slits in the roofing, of which traces are yet visible on the tops of the walls (_e, e_) on each side of the main hall (Note 10). Inscriptions, bas-reliefs, paintings, such as we are accustomed to find everywhere in Egypt, are all wanting; and yet these bare walls produce as great an impression upon the spectator as the most richly decorated temples of Thebes. Not only grandeur but sublimity has been achieved in the mere juxtaposition of blocks of granite and alabaster, by means of purity of line and exactness of proportion. Some few scattered ruins in Nubia, the Fayƻm, and Sinai, do not suffice to prove whether the temples of the Twelfth Dynasty merited the praises lavished on them in contemporary inscriptions or not. Those of the Theban kings, of the Ptolemies, and of the Caesars which are yet standing are in some cases nearly perfect, while almost all are easy of restoration to those who conscientiously study them upon the spot. At first sight, they seem to present an infinite variety as to arrangement; but on a closer view they are found to conform to a single type. We will begin with the sanctuary. This is a low, small, obscure, rectangular chamber, inaccessible to all save Pharaoh and the priests. As a rule it contained neither statue nor emblem, but only the sacred bark, or a tabernacle of painted wood placed upon a pedestal. A niche in the wall, or an isolated shrine formed of a single block of stone, received on certain days the statue, or |
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