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Blackwood's Edinburgh Magazine — Volume 54, No. 333, July 1843 by Various
page 93 of 340 (27%)
we know, many a hero may be now among the ranks, and many a gallant
officer now before the mast, undistinguished from lack of opportunity,
unknown because circumstances have not developed his dormant powers. How
then can the hour be hastened, and the opportunity of developing our
musical powers be afforded? The answer is, by the establishment of a
National Opera. It has been observed that every nation that has risen to
musical greatness, possesses a musical opera. Even the French, who,
according to Mr Hullah, "have the least possible claim to a high musical
organization," have, nevertheless, long possessed a national opera,
boasting the best orchestra in Europe, and producing masters whose works
have been successfully transplanted, and singers who have met with
universal admiration. At the present moment, Paris has two national
musical theatres, the _Académie Royale_, and the _Opera Comique_: and
the establishment of a third is said to be in contemplation. The
possibility of forming such an establishment at the present time in
England, may be reasonably called in question. The attempt made some ten
years ago, though commended by the minister of the day, was signally
abortive; and the subsequent endeavour of a popular musician to open a
theatre for the performance of English operas, was equally futile and
unsuccessful. One thing of primary importance--the patronage of the
higher classes--was wanting to both these efforts. Were the stamp of
fashion once impressed upon such an undertaking, success would be
certain, did the _fiat_ of the great world once go forth, the thing
would be accomplished. The marvellous impulse recently given to musical
instruction throughout the kingdom, shows the vast power, for good,
possessed by the higher classes of aristocratic England. We have often
lamented the apathy of the fashionable world on this subject, and we can
entertain no hope of aristocratic support and encouragement for the
English opera. There may, however, be some hope, though faint and
distant, for our musicians. In consequence of a national musical
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