Sketches in the House (1893) by T. P. O'Conner
page 56 of 318 (17%)
page 56 of 318 (17%)
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party of the aristocracy would fall from the effeminate hands of the
supersubtle and cultivated Mr. Balfour into the firm and tight grip of the rugged, uncultured country gentleman who sits remote and neglected close to him. There are the tightness and firmness of a death-trap in the large, strong mouth, a dangerous gleam in the steady eyes, infinite powers of firmness, inflexibility, and of even cruelty in the whole expression, not in the least softened, but rather heightened and exalted by the pretty constant smile--the smile that indicates the absence alike of the heat of passion or the touch of pity, and that speaks aloud of the unquestioning and dogged resolve of the aristocrat to fight for privilege to the death. [Sidenote: What a cruel face!] "Ah, what a cruel face!" exclaimed an Irish Member by my side as Mr. Lowther turned back and shouted, "Order, order!" at the Irish benches--the good-humoured smile absent for a few moments, and revelations given into abyssmal depths. But Mr. Lowther soon recovered himself, smiled with his usual blandness, and once more dropped the hood over his inner nature. But it was a moment which brought its revelations to any keen observer; especially if he could have seen the answering looks from a pair of blazing Celtic eyes--also characteristic in their way of all the passion, rage, and secular intrepidity of the smaller and weaker race that has carried on a struggle for seven centuries--over battlefields strewn with the conquered dead--past gallows stained by heroic blood--past prisons and hulks where noble hearts ate themselves wearily and slowly to death. It was as in one glance all the contrast, the antipathies, the misunderstanding which had separated one type of Irishmen from one type of Englishmen through hundreds of years. |
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