Sketches in the House (1893) by T. P. O'Conner
page 74 of 318 (23%)
page 74 of 318 (23%)
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But he turns up now usually after dinner, and from his seat on the third
bench below the gangway, on the Liberal side, watches the progress of battle. It is known to the intimates of Mr. Balfour that he has not a particularly high opinion of his partner in the work of obstructing the cause of Home Rule. Indeed, it is impossible that the two men should be really sympathetic with each other. With all his faults, Mr. Balfour does represent the literary and cultured side of political life; while Mr. Chamberlain is illiteracy embodied. Then, Mr. Chamberlain has a knack of attributing every victory to himself--modesty isn't one of his many virtues--and this cannot be particularly agreeable to the real leader of the Opposition. There is thus a constant competition between the two men as to which shall give the marching orders to the enemies of the Government. [Sidenote: Mr. Chamberlain's slatternly inaccuracy.] There was a singular scene on March 6th, which brought out the relations of the two in a singular manner. There appeared that day in the congenial columns of the _Times_ a letter, a column in length, and set forth with all the resources of leaded and displayed type which the office could afford. In this letter Joe had lamented the disappearance of those courteous manners of an elder and more Chesterfieldian time, to which he suggested he belonged. The origin of this delicious lament over a venerable and more courteous past by so flagrant a type of modernity, was a statement that Sir William Harcourt had played the dirty trick of putting down a notice to suspend the twelve o'clock rule at a shorter notice than usual. The suspension of the twelve o'clock rule simply means that the Tories shall not be allowed to obstruct by the mere fact that the House is compelled automatically to close at midnight under the existing rules. Joe appeared in his place swelling with visibly virtuous |
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