The English Novel by George Saintsbury
page 211 of 315 (66%)
page 211 of 315 (66%)
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courses, and does not turn round the ordinary centres of novel writing.
It belongs to the tradition--if to any tradition at all--of Lucian and the Lucianists--especially as that tradition was redirected by Anthony Hamilton. It thus comes, in one way, near part of the work of Disraeli; though, except in point of satiric temper, its spirit is totally different. Peacock was essentially a scholar (though a non-academic one) and essentially a humorist. In the progress of his books from _Headlong Hall_ (1816) to _Gryll Grange_ (1860)--the last separated from the group to which the first belongs by more than twice as many years as were covered by that group itself--he mellowed his tone, but altered his scheme very little. Except in _Maid Marian_ and _The Misfortunes of Elphin_, where the Scott influence is evident, though Peacock was himself a rebel to Scott, the plan is always the same. _Headlong Hall_ and _Nightmare Abbey, Melincourt_ and _Crotchet Castle_ (1831), as well as _Gryll Grange_ itself, all have the uniform, though by no means monotonous, canvas of a party of guests assembled at a country-house and consisting of a number of "originals," with one or more common-sense but by no means commonplace characters to serve as contrast. It is in the selection and management of these foils that one of Peacock's principal distinctions lies. In his earlier books, and in accordance with the manners of the time, there is a good deal of "high jinks"--less later. In all, there is also a good deal of personal and literary satire, which tones and mellows as it proceeds. At first Peacock is extremely unjust to the Lake poets--so unjust indeed as to be sometimes hardly amusing--to the two universities (of which it so happened that he was not a member), to the Tory party generally, to clergymen, to other things and persons. In _Crotchet Castle_ the progress of Reform was already beginning to produce a beneficent effect of reaction upon him, and in _Gryll Grange_, though the manners and cast are surprisingly modern, the whole tone is conservative--with a small if not even with a |
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