De Carmine Pastorali (1684) by René Rapin
page 52 of 69 (75%)
page 52 of 69 (75%)
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inspire him with a _Genius_ fit for _Pastorals_ which first began in
that _Island_, Thus in the seventh and eighth _Eclogue_, as the matter would bear, he invocates the Nymphs and Muses: And _Theocritus_ does the same, Tell Goddess, you can tell. From whence 'tis evident that in _Pastoral_, tho it never pretends to any greatness, _Invocations_ {55} may be allow'd: But whatever Subject it chooseth, it must take care to accommodate it to the Genius and Circumstances of a Shepherd. Concerning the Form, or mode of _Imitation_, I shall not repeat what I have already said, _viz._ that this is in it self _mixt_; for _Pastoral_ is either _Alternate_, or hath but _one Person_, or is _mixt_ of both: yet 'tis properly and chiefly _Alternate_. as is evident from that of _Theocritus_. Sing _Rural_ strains, for as we march along We may delight each other with a Song. In which the _Poet_ shows that _alternate_ singing is proper to a _Pastoral_: But as for the _Fable_, 'tis requisite that it should be simple, lest in stead of _Pastoral_ it put on the form of a _Comedy_, or _Tragedy_ if the _Fable_ be great, or intricate: It must be _One_; this _Aristotle_ thinks necessary in every _Poem_, and _Horace_ lays down this general Rule, Be every _Fable_ simple, and but one: |
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