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De Carmine Pastorali (1684) by René Rapin
page 52 of 69 (75%)
inspire him with a _Genius_ fit for _Pastorals_ which first began in
that _Island_, Thus in the seventh and eighth _Eclogue_, as the matter
would bear, he invocates the Nymphs and Muses: And _Theocritus_ does
the same,

Tell Goddess, you can tell.

From whence 'tis evident that in _Pastoral_, tho it never pretends to
any greatness, _Invocations_ {55} may be allow'd: But whatever Subject
it chooseth, it must take care to accommodate it to the Genius and
Circumstances of a Shepherd.

Concerning the Form, or mode of _Imitation_, I shall not repeat what
I have already said, _viz._ that this is in it self _mixt_; for
_Pastoral_ is either _Alternate_, or hath but _one Person_, or is
_mixt_ of both: yet 'tis properly and chiefly _Alternate_. as is
evident from that of _Theocritus_.

Sing _Rural_ strains, for as we march along
We may delight each other with a Song.

In which the _Poet_ shows that _alternate_ singing is proper to a
_Pastoral_: But as for the _Fable_, 'tis requisite that it should be
simple, lest in stead of _Pastoral_ it put on the form of a _Comedy_,
or _Tragedy_ if the _Fable_ be great, or intricate: It must be _One_;
this _Aristotle_ thinks necessary in every _Poem_, and _Horace_ lays
down this general Rule,

Be every _Fable_ simple, and but one:

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