was most cutting. You said--I dare say you don't remember it as I do--
that the relation of my sketch to nature was quite hidden from you.
At least, you implied that." Will could laugh now as well as smile.

"That was really my ignorance," said Dorothea, admiring

Will's good-humor. "I must have said so only because I never could see
any beauty in the pictures which my uncle told me all judges thought
very fine. And I have gone about with just the same ignorance in Rome.
There are comparatively few paintings that I can really enjoy.
At first when I enter a room where the walls are covered with frescos,
or with rare pictures, I feel a kind of awe--like a child present
at great ceremonies where there are grand robes and processions;
I feel myself in the presence of some higher life than my own.
But when I begin to examine the pictures one by on the life goes
out of them, or else is something violent and strange to me.
It must be my own dulness. I am seeing so much all at once,
and not understanding half of it. That always makes one feel stupid.
It is painful to be told that anything is very fine and not be able
to feel that it is fine--something like being blind, while people
talk of the sky."

"Oh, there is a great deal in the feeling for art which must
be acquired," said Will. (It was impossible now to doubt the
directness of Dorothea's confession.) "Art is an old language
with a great many artificial affected styles, and sometimes
the chief pleasure one gets out of knowing them is the mere
sense of knowing. I enjoy the art of all sorts here immensely;
but I suppose if I could pick my enjoyment to pieces I should
find it made up of many different threads. There is something