Punch, or the London Charivari, Volume 102, April 30, 1892 by Various
page 42 of 46 (91%)
page 42 of 46 (91%)
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and amusing, but can provide no remedy for slow wits; on the other
hand, the personal brag is a relic of the original man. The badinage is the young man's defect in art; the brag is his defect in nature. But I fail to see any objection to such conversation; on the contrary, it is charming because it _is_ so average; you know beforehand just what you will hear and just what you will say, and everything is consequently made easy. The man puts on that kind of talk just as he puts on his dress-coat; both are part of the evening uniform. The motto of the perfect young man of Society is "I resemble." I pointed all this out to the young girl in question, and she retorted that it was a pity that silence was a lost art. However, she continued to dine-out and to take her part in the only possible conversation, and after all Society rather encourages theoretical rebellion, provided that it is accompanied by practical submission. [Illustration] From the point of view of sentiment, a dinner has less potentialities than a dance; but the dinner may begin what the dance will end; you set light to the fuse in the dining-room, and the explosion takes place six weeks afterwards in someone-else's conservatory. Nothing much can be done on the staircase; but, if you can decently pretend that you have heard of the young man who is taking you in, he will probably like it. If, after a few minutes, you decide that it is worth while to interest the young man, discourage his flat badinage, and encourage his personal brag. The only thing in which it is quite certain that every man will be interested is, the interest someone else takes in him. Later on, he will probably be induced to illustrate the topic of conversation by telling you (if it would not bore you) of a little incident which happened to himself. The incident will be |
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