Aspects of Literature by J. Middleton Murry
page 107 of 182 (58%)
page 107 of 182 (58%)
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feel, the better for us all. There is no fear of any of us
forgetting when the acute stage is passed. I should be ashamed of myself for having felt as keenly and spoken with as little reserve as I have if it were any one but you; but I feel no shame at any length to which grief can take me when it is about you. I can call to mind no word which ever passed between us three which had been better unspoken: no syllable of irritation or unkindness; nothing but goodness and kindness ever came out of you, and such as our best was we gave it to you as you gave yours to us. Who may not well be plunged up to the lips in sorrow at parting from one of whom he can say this in all soberness and truth? I feel as though I had lost an only son with no hope of another....' The love is almost pathetically lavish. Letters like these reveal to us a man so avid of affection that he must of necessity erect every barrier and defence to avoid a mortal wound. His sensibility was _rentrée_, probably as a consequence of his appalling childhood; and the indication helps us to understand not only the inordinate suspiciousness with which he behaved to Darwin, but the extent to which irony was his favoured weapon. The most threatening danger for such a man is to take the professions of the world at their face value; he can inoculate himself only by irony. The more extreme his case, the more devouring the hunger to love and be loved, the more extreme the irony, and in Butler it reached the absolute maximum, which is to interpret the professions of the world as their exact opposite. As a reviewer of the _Note-Books_ in _The Athenæum_ recently said, Butler's method was to stand propositions on their heads. He universalised his method; he applied it not merely to scientific propositions of fact, but, even more ruthlessly, to the converse of daily life. He divided up the world into a vast majority who meant the opposite of what they said, and an infinitesimal minority who |
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