with the Sidhe, heard in many adventures with them their lovely music,
and it became their own. Indeed, Finn, who had twelve musicians, had
as their chief one of the Fairy Host who came to dwell with him, a
little man who played airs so divine that all weariness and sorrow
fled away. And from him Finn's musicians learnt a more enchanted art
than they had known before. And so it came to pass that as in every
fairy dwelling there was this divine art, so in every palace and
chieftain's hall, and in every farm, there were harpers harping on
their harps, and all the land was full of sweet sounds and
airs--shaping in music, imaginative war, and sorrows, and joys, and
aspiration. Nor has their music failed. Still in the west and south of
Ireland, the peasant, returning home, hears, as the evening falls from
the haunted hills, airs unknown before, or at midnight a wild
triumphant song from the Fairy Host rushing by, or wakes with a dream
melody in his heart. And these are played and sung next day to the
folk sitting round the fire. Many who heard these mystic sounds became
themselves the makers of melodies, and went about the land singing and
making and playing from village to village and cabin to cabin, till
the unwritten songs of Ireland were as numerous as they were various.
Moore collected a hundred and twenty of them, but of late more than
five hundred he knew not of have been secured from the people and from
manuscripts for the pleasure of the world. And in them lives on the
spirit of the Fianna, and the mystery of the Fairy Host, and the long
sorrow and the fleeting joy of the wild weather in the heart of the
Irish race.

[7] This word is pronounced Shee, and means "the folk of the
fairy mounds."

As to the poetry of Ireland, that other Art which is illustrated in