Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 47 of 472 (09%)
page 47 of 472 (09%)
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OF THE ROMAN SENATE--THE ECLIPSE OF CLASSICAL
LITERATURE AND DISMEMBERMENT OF THE ROMAN EMPIRE--POEM ON THE THOUSAND YEARS KNOWN AS THE DARK AGES WHICH FOLLOWED. THEOPHRASTUS says that the papyrus books of the ancients were no other than rolls prepared in the following manner: Two leaves of the rush were plastered together, usually with the mud of the Nile, in such a fashion that the fibres of one leaf should cross the fibres of the other at right angles; the ends of each being then cut off, a square leaf was obtained, equally capable of resisting fracture when pulled or taken hold of in any direction. In this form the papyri were exported in great quantities. In order to form these single leaves into the "scapi," or rolls of the ancients, about twenty were glued together end to end. The writing was then executed in parallel columns a few inches wide, running transversely to the length of the scroll. To each end of the scrolls were attached round staves similar to those we use for maps. To these staves, strings, known as "umbilici," were attached, to the ends of which bullae or weights were fixed. The books when rolled up, were bound up with these umbilici, and were generally kept in cylindrical boxes or capsae, a term from which the Mediaeval "capsula," or book-cover was derived. "The mode in which the students held the rolls in order to read from them is well shown in a painting in the house of a surgeon at Pompeii. One of the staves, with the papyrus rolled |
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